![]() ![]() What these cameras have in common is that they can record 1080p H.264 codec MOV footages. No matter you are a filmmaker, multimedia professional or still photographer, Canon or Nikon camera will be a choice due to its highly mobile, lightweight features including Canon 5D Mark, Canon EOS 650D, Canon PowrShot G1 X, Canon SX40, Canon ESO-1DX, Canon EOS 7D/5D, Canon EOS 60D, Canon EOS 550D, Canon EOS 500D, Nikon D5100, Nikon D3100 Nikon D800, and more. Can someone please explain to me which format I should be editing on for my project! Thanks! I know ProRes 422 is a codec that pros use to edit and it has a much bigger file size, but I don't get the difference and which format I should be using to edit my project. I am editing a project on Final Cut Pro X and was curious what format my video files should be for editing. ![]() I know the filesize of the ProRess is much more then the H.264, but what's the real difference? What's the difference between the Apple ProRes codec, the Apple ProRess HQ codec and the H.264 codec. Then i red the post and i wanted to test it out so i converted a few clips with compressor too see the difference while editing or rendering and i couldnt find much. I want to know if there is a high difference working with them, i have done a few projects with Final Cut Pro using the raw H.264 footage from my 60D without knowing about the pro res. ![]() Hey, i was reading this post the other day where you guys were talking about apple's ProRes 422. One of the most common questions that I get from people regarding the new breed of DLSR cameras is "What's your post-workflow?" Question: Does this matter? Does it matter that a clip in the timeline is H.264, while all the others are in Apple ProRes 422 clips (the ones that didn't need effects)? My guess is that it's not because H.264 is a finishing format but I want to be sure. I imported the new H.264 clip into my timeline and everything looks great. He sent the polished clip (with the new SFX) back in H.264 he's not working on a Mac because he doesn't own one. I sent a cut clip from the timeline to a SFX person via dropbox. Hello,I've completed editing a film in FCP X with Apple ProRes 422 clips at 1920×1080. ![]() Question 1: H.264 vs Apple ProRes 422 Question - Urgent for Film
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March 2023
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